Feature film shot and set in Dumfries and Galloway wins awards

A brand new movie shot in Galloway has received an award.

Stella tells the story of a German Jewish refugee who finds herself working in a stately house belonging to supporters of fascist chief Oswald Mosely.

Set in Nineteen Thirties Galloway and filmed at Galloway Home close to Sorbie, it has now received the most effective drama award on the Melech Tel-Aviv Worldwide Movie Pageant – the place it additionally had its world premiere..

And Stella – impressed by Cinderella – additionally received finest first movie on the Montreal Impartial Movie Pageant.

The movie options Rufus Wright, Susan Vidler, Oli Fyne and Gary Lewis, who lives in Kirkcudbright.

Gary stated: “It was a pleasure to be part of this movie – the story is nice, the situation is gorgeous and every little thing else, from the digital camera work to the music, was glorious.

“Stella tells the story of a younger German lady stranded in Scotland because the Nazis rise to energy in Germany.

“The difficulties she faces echo these of determined folks immediately; refugees and asylum seekers attempting to flee many horrors. Remoted and terrified for the destiny of her household, she then encounters supporters of the Nazi’s racist ideology.”

The movie’s makers at the moment are in negotiations for UK distribution.

Writer and director Jessica Fox
Author and director Jessica Fox

Stella was written and directed by Wigtown’s Jessica Fox, who's the granddaughter of Holocaust survivors.

She stated: “To have been named finest drama on the worldwide movie pageant the place Stella had its world premiere was past our wildest goals.

“And now we’ve been nominated for Montreal’s Impartial Movie Pageant we hope to deliver it to a a lot wider viewers within the close to future.

“I by no means preferred the story of Cinderella - her fairy godmother, the glass slippers or the fuss of the ball - till I heard the older folks variations.

“In these tales, Cinderella has no magical transformation. As a substitute, she flees her kingdom to search out security in one other. She takes on a brand new title and identification.

“As a grandchild of holocaust survivors, who needed to flee their properties, discover new identities and preserve solely what they may carry, this Cinderella resonated.

“She wasn’t the fairy story archetype, an epitome of goodness ready to be rescued; she was a refugee, a survivor, heroic.

“This Cinderella, her story, was one I needed to inform and one that's related to so many individuals compelled to flee their properties immediately.”

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