With a fiery new half-hour particular as a part of Netflix’s The Standups sequence, Naomi Ekperigin is extra prepared than ever to realize that subsequent degree of comedy success. And he or she does all of it whereas remaining way more “considerate” about how her jokes have an effect on the viewers than lots of her closed-minded friends.
It’s been a protracted street, as she explains on this week’s episode of The Final Snort podcast, from beginning out as a writing assistant on Broad Metropolis to her present position as a author and visitor star on the ultimate season of Search Get together. We additionally speak about her dangerous choice to burn any potential bridge to Saturday Evening Reside by calling out the present for its lack of Black feminine forged members and why she felt “much less excited” about being on Netflix after the Dave Chappelle controversy exploded.
“This feels proper,” Ekperigin says when she first strides on stage in a shiny blue romper to ecstatic cheers from the group in her new particular. She tells me that in that second she was making an attempt to remain “current” whereas on the identical time, “Every part round me is reminding me that yeah, this can dwell ceaselessly and be seen by so many extra folks.”
She landed the coveted spot as one in all six up-and-coming stand-up comedians in season 3 of the Netflix sequence at a time throughout the ongoing pandemic when she was beginning to marvel, “Will I ever do stand-up once more? How lengthy will it take earlier than I’m good once more?” After she by chance says that she recorded the half-hour “this 12 months,” she jokes, “I’m nonetheless writing 2021 on all my fast assessments.”
The Standups has served as a game-changing alternative for comedians (and former Final Snort visitors) like Nate Bargatze and Beth Stelling, exposing them to an unlimited worldwide viewers and dramatically increasing their means to promote tickets. “Initially I used to be like, are these jokes going to play to individuals who don’t dwell on the coasts, not to mention in different nations?” Ekperigin says of her private and particular materials. “After which I simply realized you go down such a rabbit gap with that considering. It’s like, I don’t know the right way to play to Dubai. We’re simply gonna must hope.”
As a Black millennial from Harlem who aspires to be the star of her personal Nancy Meyers film and spends a lot of her act speaking about her “Jewboo” husband and podcast co-host, Ekperigin has by no means fairly match the restricted molds which can be historically out there for feminine comics.
“I’m not somebody who places numerous inventory in my seems, my bodily look,” she tells me. “I’m not a ‘cute lady’ comic. So I’m not going to play that sport, no matter that sport is. I’m not making an attempt to be bodily engaging to the viewers. After I take into consideration Nikki Glaser and Rachel Feinstein, ladies who're actually lovely and realize it and carry that with them on stage—I used to be simply by no means like that. I used to be like, I’ll placed on a wise pant.”
After I inform Ekperigin that Glaser instructed me on her episode of The Final Snort that she would reasonably be “fuckable” than humorous, she laughs and replies, “You realize, scorching opens far more doorways than humorous. Let’s be actual.”
Holding it actual and trustworthy is an enormous a part of Ekperigin’s model. However not like the principally male comedians who've launched some kind of campaign in opposition to political correctness, she is just not above altering her materials to keep away from being “inadvertently” offensive. “If I’m making an attempt to tug someone, I’m going to tug,” she explains, but when that's not the objective, then she all the time tries to “put in an additional layer of thought” in order to not harm anybody’s emotions unnecessarily.
For example, she determined late within the sport so as to add the phrase “most” to a bit about why she’s afraid of white males as a result of “most white males have been as soon as white boys.”
“Simply utilizing the phrase ‘most’ was one thing for me the place I used to be like, let’s be inclusive of people that could have transitioned of their lives,” Ekperigin says. “And it ain’t obtained to be a complete manufacturing, we ain’t telegraphing it, it’s not a bit about being trans, however I’m simply accounting for an expertise of a gaggle of individuals.”
It’s that “further layer of thought” that's aggressively—and even intentionally—absent from the work of comedians like Dave Chappelle, who've turn out to be recognized for not caring if individuals are offended by their jokes.
For a second, the uproar over Chappelle’s most up-to-date Netflix particular really tainted Ekperigin’s emotions about showcasing her comedy there. “I used to be so enthusiastic about being on this platform and now I really feel rather less excited,” she remembers. “Since you hate to be lumped in. However on the identical time, chances are you'll be on the identical platform with someone however I’m nonetheless going to wish to attain the most important viewers potential.”
Hearken to the episode now and subscribe to ‘The Final Snort’ on Apple Podcasts, Spotify, Google, Stitcher, Amazon Music, or wherever you get your podcasts and be the primary to listen to new episodes when they're launched each Tuesday.